Category: Oldies

Allegro - Vivaldi*, The Academy Of Ancient Music, Christopher Hogwood - I Concerti ;Estro Armonico;, ;La Stravaganza;, ;Il Cimento DellArmonia E DellInvenzione;, ;La Cetra; (CD)

8 thoughts

  1. Christopher Hogwood – conductor This marvellous set of concertos for one, two and four violins calls for a group of well-matched (not cloned) soloists who can also work together in the chamber-musical manner the music calls for—and in Monica Huggett, Catherine Mackintosh, Elizabeth Wilcock and John Holloway that is precisely what you get here.
  2. Vivaldi*, The Academy Of Ancient Music, Christopher Hogwood ‎– L'Estro Armonico / 6 Flute Concertos, Op Label: Decca ‎– , L'Oiseau-Lyre ‎– /5(1).
  3. Vivaldi: The AAM Recordings le tracce musicali dell'album di Christopher Hogwood, The Academy of Ancient Music, naviga il sito per la discografia completa di Christopher Hogwood, The Academy of Ancient Music e le sue novità musicali.
  4. Find album reviews, stream songs, credits and award information for Vivaldi: L'Estro Armonico; 6 Flute Concertos, Op. 10 - Christopher Hogwood on AllMusic -
  5. Antonio Vivaldi, Academy Of Ancient Music*, Christopher Hogwood: Antonio Vivaldi, Academy Of Ancient Music*, Christopher Hogwood - Concerti (mit Originalinstrumenten) ‎ (LP) Decca, Decca: , Sell This Version5/5(1).
  6. More albums from Antonio Vivaldi: La Cetra – Enregistrement Intégral Des Douze Concertos Op. 9 by Antonio Vivaldi. La Stravaganza, 12 Concerti For Solo Violin, Strings And Continuo, Op. 4 (Complete) by Antonio Vivaldi. 6. No. 6 In C Major, Il Piacere (Pleasure).
  7. Christopher Hogwood, who died in aged 73, was a seminal figure in the period-instrument movement of the s and s; his performances and recordings with the Academy of Ancient Music and the ensemble he founded in were acclaimed for their radical freshness and the repertoire they explored.. Before his death, Hogwood had been working with Decca Classics on re .
  8. Christopher Hogwood had ideas about performance practices in Vivaldi's day that differed from other period-instrument recordings at the time. For instance, each concerto here features a different soloist, pulled from the regular Academy of Ancient Music ensemble, but there is still a consistent sound between them. It's an extremely polished.

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